Texts in English

The essay challenges the simplistic binary of good and evil, arguing that human interests often dictate how we justify our positions. It explores the dangerous transition from “bad” to “the worst,” particularly when cruel reasoning takes hold and coherence is lost. By analyzing how people defend conflicting views—from social castes to the dark corners of the Deep Web—the author suggests that refining our judgment is the only way to confront the “elephant in the room”: the abyss of moral decay.

“The River and the Writing” is a lyrical exploration of the parallels between the movement of water and the act of composition. The author reflects on how words, like a river, navigate uncertain paths toward the unknown. It highlights the concept of “puddles” of memory—scattered thoughts that require a single drop of insight to reconnect and form a new narrative. Comparing the writer to a solitary force, the text suggests that neither the river nor the writing can be fully steered or contained, as both must remain free to find their own course, moving from the prison of silence into the beauty of verse and prose.

The text reflects on how the ease of the digital era, specifically the rise of AI, may be eroding the traditional pursuit of knowledge. Nilson Lattari contrasts the “intermediate generation” with today’s real-time dependency, criticizing the superficiality of social media “experts.” He argues that true knowledge is not just about data, but about the ethical and empathetic journey of self-discovery. By refusing to be challenged, individuals close the door to growth, whereas embracing our limits and seeking reliable thinkers allows for a constant renewal of the mind and the world.

The chronicle explores doubt not as a sign of insecurity, but as a vital instrument of human growth and a shield against manipulation. By comparing the adult’s reflection to a child’s innate curiosity, the author argues that saying “I don’t know” is a supreme act of humanity. The text illustrates how scientists, leaders, and individuals renew themselves when they challenge established dogmas, suggesting that the “Why?” is the gateway to moving from mere uncertainty to a profound sense of wonderment.

The essay provides a grim analysis of indifference as a deliberate and harmful detachment from the struggles of others. The author argues that indifferent people are often cowardly, using beautiful words and religious or political masks to disguise their self-interest and lack of empathy. By ignoring social tragedies and the plight of the needy, they cultivate a habit that destroys the fabric of society. Ultimately, the text concludes that true freedom cannot exist in isolation or amid suffering; it is only achieved when we actively care for one another.

The text explores the transition of the digital prompt “What are you thinking?” from Facebook to the physical world (a wall). The author reflects on the risks of total transparency, suggesting that if our thoughts were visible like “bubbles,” we would desperately try to hide them. It critiques the lack of self-censorship on social media and questions the sincerity of those who overshare, ultimately highlighting the value of mental privacy and trusted connections.

The text reflects on how time accelerates as we trade our early sense of adventure for hollow, predictable routines. It questions whether consumerism and duties are the only forces driving us, proposing instead that we can “re-color” our days. By embracing small surprises—like a different path home or a conversation with a stranger—we transform our lives from a series of bureaucratic steps into a vibrant film. Ultimately, it suggests that willpower and the “small madness” of following our desires are what truly turn a passing day into a lasting memory.

The text delves into the unique psyche of poets, who look beyond common sense to shape reality through a “magical lens.” It describes the poet as a translator of colors, feelings, and images that exist in a rare, pure imagination. Instead of judging the world, poets simply experience it with their eyes of reality closed and eyes of imagination open. They are portrayed as generous but lonely figures, struggling to communicate truths that ordinary language cannot fully grasp, ultimately giving meaning to beauty that would otherwise remain misunderstood.

The text explores the “silly” nature of human conflict in urban settings, from parking lot disputes to heated debates over professional sports. It argues that most social friction arises from trying to control or change others’ routines and opinions. The author suggests that since life is a “theatre stage,” the most rational path is to disengage. Agreeing with the ignorant is often a tool for peace, as trying to fix the world’s absurdities only makes one part of the ridiculousness.

The essay examines the transition from beauty to the sublime, defining the latter as an untouchable, vast, and often frightening force. While beauty attracts through perfection, the sublime overwhelms the soul through magnitude—be it a raging river or the infinite reaches of space. It posits that facing forces beyond our control inspires a mix of fear and respect. Ultimately, the sublime is found in the act of overcoming: when art or nature challenges our destiny and forces a profound change in our behavior and spirit.

The text explores the moral failure inherent in how we choose to “see” the world. It argues that our eyes are not merely passive observers but active accomplices in social injustice. By pretending not to see poverty, racism, and exclusion, we demonstrate a lethargy that mirrors the historical indifference shown during eras like slavery. The author suggests that while we criticize our ancestors, we remain blind to our own contemporary failings. Ultimately, the “window to the soul” is portrayed as a frozen stare—a transparent curtain that hides the reality of human suffering from our inner conscience.

The text explores the tension between living a meticulously planned life and embracing the chaos of the unknown. While many aim for a “perfect” future characterized by safety and predictability, the author argues that such a life is like a gift where the contents are already known—stable, but ultimately hollow. In contrast, choosing the “shorter, surprising path” or “jumping into the dark” allows for a life rich with peculiar behaviors and incredible journeys that the organized world cannot offer. Those who cling to their comfort zones often become “boring masters” of routine, while adventurers gather around fires to share stories that bridge the gap between reality and the impossible. Ultimately, the narrative suggests that human fulfillment isn’t found in a mathematical result, but in the lessons learned through tears, fear, and the courage to become someone we never imagined we would be.